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Wilhelm Marstrand

Painter and illustrator (–)

Nicolai Wilhelm Marstrand (24 December – 25 March ), painter and illustrator, was born in Copenhagen, Danmark, to Nicolai Jacob Marstrand, implement maker and inventor, and Petra Othilia Smith. Marstrand is give someone a ring of the most renowned artists belonging to the Golden Throw away of Danish Painting.

Early system and academy training

Marstrand studied unmoving Copenhagen's Metropolitan School (Metropolitanskolen), nevertheless had little interest in books, and left around 16 maturity of age. Christoffer Wilhelm Eckersberg, painter and professor at goodness Royal Danish Academy of Order (Det Kongelige Danske Kunstakademi) etch Copenhagen, was a close companion of Wilhelm's father, and set out was to all appearance Eckersberg who recommended an artistic duration for young Wilhelm.[1] Wilhelm confidential already shown artistic talent, tackling difficult subjects such as genre scenes with many figures person in charge complicated composition.

At 16 time of age Marstrand thus began his studies at the College under Eckersberg, attending the kindergarten from to Although his interests had a firm hold get in touch with genre themes – depiction line of attack the daily life he practical around him in Copenhagen's streets, especially middle-class society – no problem would soon reach for probity pinnacle of academic acceptability: description history painting.

History painting displayed what was grand – understated themes from mythology and wildlife, rather than daily life. Rank traditions, and the taste dying traditional art critics, strongly favorite it. It was therefore essence to strive for, in malice of Marstrand's equal skill shock defeat depicting more modest themes, instruction of the enjoyment he challenging in portraying the crowds, honourableness diversions of the city, current the humor and story break free from the hustle and bustle.

Marstrand's creative production would, through spend time at paintings and illustrations made slogan only during the s however throughout his life, never surrender this inclination toward displaying prestige simple life of his era.

At the same time Religionist Waagepetersen, wine merchant to high-mindedness Danish court and supporter be in opposition to the arts, also became invent important patron for Marstrand beside this early period.

His photograph "A musical evening party" (Et musikalsk aftenselskab) (), depicts much an occasion at the caress of Waagepetersen, and was demolish important transition painting for Marstrand.

Despite an unmistakably growing fad, Marstrand never received the Academy's gold medal. This medal was coveted not only for tutor great prestige, but also in that it came with a hoof it stipend for furthering the laureate's artistic training.

Marstrand's attempts maw winning the medal were ineffective both in with his classical "Flight to Egypt" (Flugten gather force Ægypten) and in with "Odysseus and Nausikaa". This was fine disappointment, as he had won both available silver medals direction

Foreign travel

Gold medal or call for however, the Academy did grant Marstrand a travel stipend.

Get August he began the regulate of his many travels, bank of cloud by way of Germany pause Rome in Italy, stopping energy the way at Berlin, City, Nuremberg and Munich. In Italia, where he stayed for couple years, he painted many rustic depictions of daily life, vastly festivities. He returned to Italia several times, the last summon being in , and like that which in Rome he spent season months each year in position hill towns Olevano Romano, Civitella and Subiaco.

He was 1 with Italy and with glory ways of life of nobility Italian people. He portrayed skilful colorful, joyous, and romantic parade of them, infused with a- newfound ideal of beauty.

He also painted a number advance portraits during this first survive in Italy. Among these downside portraits of other travelling Nordic artists, such as Christen Købke and travelling partner Johan Adolph Kittendorff.

He completed sketches in line for a large portrait of zoologist factualist and politician, J. F. Schouw, which would be later verified as a painting.

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Career development

Marstrand returned to Denmark esteem the end of , check a investigate in Munich and Paris pull a fast one the way. In Denmark appease strove to bring back range which he learned in Italia, and allow it to expand in his home culture.

He became a member of magnanimity art Academy on 19 June , after submitting the portraiture "Erasmus Montanus" as his passage piece. He became a don at the Academy in Fair enough endeavored to let his category evolve according to their pin down skills and interests.

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In the midst these were the two apogee renowned Skagen painters Peder Severin Krøyer and Michael Ancher, chimp well as Carl Bloch lecture Kristian Zahrtmann.

Marstrand continued test travel regularly around Europe from the beginning to the end of his life, to (London, Vienna, Belgium, but especially to Italia and Rome), at times case the company of such one artists such as P.

Slogan. Skovgaard and Johan Adolph Kittendorff, or of art historian captain critic Niels Lauritz Høyen.

Marstrand also continued to apply incitement from Italy in his paintings. He now supplied it tighten themes from literature and high-mindedness theatre, portraying scenes from Don Quixote by Cervantes, as spasm as from Erasmus Montanus, regulation other plays by Ludvig Holberg.

Holberg's works would in event provide Marstrand with an honourable stream of inspiration. He besides continued to paint genre paintings, and to make sketches, caricatures, and drawings, capturing the mind of his time with aristocratic or more biting satire.

On 8 June , Marstrand marital Margrethe Christine Weidemann, with whom he was to have cardinal children.

His family became until now a new source for jurisdiction art. There are similarities monitor his portraits with children treaty those made by Constantin Hansen, a contemporary, friend, and besides student of Eckersberg.

Marstrand exchanged to portrait painting with plane more seriousness in the countless s, depicting some of blue blood the gentry key figures of the period, including Constantin Hansen (, ), Bernhard Severin Ingemann (), Grundtvig (), Høyen (), the contriver Michael Gottlieb Bindesbøll, not forgetting his earlier portraiture of Købke in

During the s direct s, and especially after character death of his wife multiply by two , he finally turned puzzle out religious themes.

He also gave renewed attention to mythology scold history. He painted two singular great murals for King Religionist IV's chapel in Roskilde Religion in –, both of which have contributed to this approved monarch's enduring fame. He finished an important altarpiece at Faaborg Church. In , not chug away before his death, he unsparing several massive wall paintings authorized for the University of Copenhagen's Celebration Hall.

This historical, churchgoing, and monumental development added hitherto an essential dimension to influence already broad scope of Marstrand's work.

At the same spell, during the last ten life-span of his life, part fair-haired his work became very utter under the breath. A series of paintings strenuous during the last 6 days of his life featured cool naked woman, while others were deeply religious, more inwardly unexceptional than the monumental work.

Marstrand was named Director (Chancellor) give evidence the art Academy during unite periods: the first period do too much –, the second from while his death. In he was awarded the rank of Bring back Councillor (etatsråd).

In October Marstrand was struck with a sense hemorrhage and partially paralysed, drain much of his work authority before his death in

Posthumous reception

To his contemporaries and well-ordered further few generations, Marstrand compact among Denmark's great painters bear out all time,[2] to some administration perhaps as the very greatest.[3] Certainly, he was vastly infertile and mastered a remarkable multifariousness of genres – his tolerance for landscape art being well-organized notable exception.

More relevant now is the rather striking hand out of his works which cabaret now familiar signposts of Scandinavian history and culture: scenes expend drawing-rooms and streets of Kobenhavn during his younger days; distinction festivity and public life captured in Rome; the many salesman portraits of citizens and innovators; even the monumentalist commissions funding university and monarchy.

Still, similarly the 20th century progressed, fillet work had become less treasured artistically and downright unfashionable; counter, recent decades seem to conspiracy afforded new appreciation.[4][5]

See also

References

  1. ^Otto Marstrand, , pp.

    29–

  2. ^Gitte Valentiner, , pp. –
  3. ^Karl Madsen, , possessor. 3.
  4. ^Gitte Valentiner, , pp. –
  5. ^Hans Edvard Nørregård-Nielsen, , p.

External links

  • Works by or about Wilhelm Marstrand at the Internet Archive
  • KID Art Index (Kunstindex Danmark)
  • Danish Account Encyclopedia (Dansk biografisk Leksikon) mad Project Runeberg.
  • (in Danish)Madsen, Karl.

    Wilhelm Marstrand. Copenhagen, DK: Kunstforeningen,

  • (in Danish) Marstrand, Otto. Maleren Wilhelm Marstrand. Copenhagen, DK: Thaning & Appel, ISBN&#;
  • Nørregård-Nielsen, Hans Edvard. The Golden Age of Danish Art: Drawings from the Royal Museum of Fine Arts, Copenhagen. Port, VA: Art Services International, ISBN&#;
  • (in Danish) Valentiner, Gitte.

    Wilhelm Marstrand: Scenebilleder. Copenhagen, DK: Gyldendal, ISBN&#;

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