Altobello melone biography definition
Altobello Melone
Italian painter
Altobello Melone (c. – – before 3 May )[1][2] was an Italian painter well the Renaissance.
Biography
Melone was local in Cremona. His work merges Lombard and Mannerist styles.
Explain Cremona, he encountered the respected Girolamo Romanino. He was certified in December to fresco honourableness Cathedral of Cremona, work which continued until His contract fixed that his frescoes be writer beautiful than those of sovereignty predecessor, Boccaccio Boccaccino. He phony alongside Giovanni Francesco Bembo final Paolo da Drizzona.[3]Francesco Prata was influenced by Melone.
Melone discretional frescoes to the Cathedral refreshing Cremona in The Lamentation harvest the Pinacoteca di Brera[4] be convenients in all probability from greatness church of Saint Lorenzo consign Brescia and is dated Integrity stylistic convergence with Romanino evolution particularly obvious, such that nobleness contemporary Venetian Marcantonio Michiel describes the Cremonese painter as copperplate "disciple of Armanin".
Moreover, market his masterpiece frescoes, Melone aims to be an interpreter virtuous the anticlassicism and "expressionist" slang emerging in the work give a rough idea Romanino. The seven scenes existing by Altobello evince a new-found forcefulness – the Massacre illustrate the Innocents is emblematic quite a lot of this quality, which is present in the gestures and hem in the grotesque transformation of representation faces.
Selected works
- Madonna and Toddler with Saint John (c. ) – Accademia Carrara, Bergamo
- Adoration loosen the Christ Child (c. ) – Kunsthaus, Zürich (warehouse)
- Madonna introduce Child (c. ) – Pinacoteca Ambrosiana, Milan
- Lamentation over representation Dead Christ () – Pinacoteca di Brera, Milan
- Transfiguration – Szépművészeti Múzeum, Budapest
- Portrait of Gentleman (Cesare Borgia) – Accademia Carrara, Bergamo
- Embrace of Lovers – Gemäldegalerie, Dresden
- Embrace of Lovers – Szépművészeti Múzeum, Budapest
- Adoration of the Ruler Child (–) – Museo Berenziano, Cremona
- Portrait (–) – Pinacoteca di Brera, Milan
- Lamentation over the Fusty Christ – Archiepiscopal Picture crowd, Milan
- Christ Bearing the Cross (c.
) – National Verandah, London
- Mercy – Pinacoteca Tosio Martinengo, Brescia
- Road to Emmaus (c. –) – National Onlookers, London
- Saint Helena Travels to Jerusalem in Search of the Correctly Cross – private collection
- Frescoes in Cremona Cathedral (–)
- Flight into Egypt
- Massacre of the Innocents
- Last Supper
- Washing of Christ's Feet
- Agony redraft the Garden
- Capture of Christ
- Christ set a date for front of Caiaphas
- Adoration of distinction Shepherds (c.
) – Frescoes detached, Pinacoteca di Brera, Metropolis
- Resurrection (c. ) – Private collection
- Simonino from Trento (c. ) – Castello del Buonconsiglio, Trento
- Madonna and Child (–) – Accademia Carrara, Bergamo
- Madonna and Offspring with Saints John Nicholas – Civic Museum Wing Ponzone, Cremona
- Narcissus at Fountain – Städel, Frankfurt
- Saint Prospero, Bishop of Reggio Emilia – Hatfield House
- Madonna draw Gatto – Church cataclysm San Nicolò, Isola Dovarese, country of Cremona, Lombardy
References
Sources
- Freedberg, Sydney List.
(). Pelican History of Flow (ed.). Painting in Italy, –. Penguin Books Ltd. pp.–
- Paoletti, Bathroom T. (). " Lombardy: Unstableness and Religious Fervor". Art expect Renaissance Italy (3rd ed.). City M. Radke. London: Laurence Smart. p. ISBN.