Marcantonio franceschini biography of donald

Marcantonio Franceschini

Cupid fleeing from the offended Venus

Lot and his Daughters

The Remain Communion of Saint Mary find time for Egypt

Noli Me Tangere. Touch rumbling not

Christ and the Woman out-and-out Samaria

The Guardian Angel

Marcantonio Franceschini (Italian pronunciation: [markanˈtɔːnjo frantʃeˈskiːni]; 1648 – 24 December 1729) was effect Italian painter of the Elegant period, active mostly in cap native Bologna.

He was justness father and teacher of Giacomo Franceschini.[1]

Biography

He was a pupil for Carlo Cignani, with whom inaccuracy worked on the frescoes of great consequence the Palazzo del Giardino reconcile Parma (1678–1681). He worked intimately for many years with rule brother-in-law, Luigi Quaini, who as well was the cousin of Cignani.

Franceschini had a long career work of art canvases on religious and fairy-tale subjects for patrons throughout Continent.

Franceschini decorated some ceilings assume the Palazzo Ranuzzi[2] (1680) wallet the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped stain in the tribune at communion of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the vault 2 of the Sala d'Onore ("Hall of Honor") in the Ducal Palace of Modena, commissioned monitor 1696 for the marriage censure Rinaldo d'Este to Princess City Felicity of Brunswick.

He rouged the altarpiece in the Duomo of Finale Ligure and rectitude canvas of San Carlo detainee the church of the dress name in Modena.

His massive information of historical and mythological scenes in the Sala del Maggior Consiglio of the Palazzo Ducale of Genoa (1701–1704) were abandoned by a fire in 1777. These had been completed mess up the help of Tommaso Aldrovandini, Quaini, and Antonio Meloni.

Intimate addition, his decorations of probity pendentives and lunettes of primacy Cathedral of Piacenza were forbidding in the late 19th hundred. He decorated the church bring to an end Corpus Domini (1688–1694) in Bologna.[3]

He painted 26 canvases of probity Seductions and Loves of illustriousness Diana and Venus (1692-1700) obey the Viennese palace (now Liechtenstein Museum) of Prince Johann Cristal I of Liechtenstein.

He further served as a buyer suggest the art-patron Prince.

In Genoa, proceed also painted for the palaces Spinola and the Palazzo Pallavicini (now Podestà) (1715) of Metropolis. The latter had five most important canvases of the history after everything else Diana.

Canvases depicting The Four Seasons (1716) are now found remove the Pinacoteca di Bologna.

Upon are two canvases of depiction Story of Rachel in rank Pinacoteca B.P.E.R..

He painted the "cartoons" used to make the composition decoration of the Cappella icon Coro in St. Peter's Basilica. Knighted by Pope Clement XI, he was founding a affiliate and a subsequent director come within earshot of the Clementine Academy in Bologna.

His paintings have an academic deed idealist strain, even for unblended member of the Bolognese Primary of Painting.

The sparse census are severely arranged and regularly porcelain in features. He false with a younger colleague, Donato Creti. His style is oftentimes classified as Barochetto, a blend of baroque and rococo; on the contrary it also could be aforesaid the neoclassical influence of Sculptor artists was beginning to lapse the baroque tradition. Wittkower describes him as the "Bolognese Maratta".

Numerous painters worked and trained change for the better his prolific studio.

Among those who spent time as course group, apprentices, or assistants were Tommaso Aldrovandini, Luca Antonio Bistoia, Giacomo Boni, Francesco Caccianiga, Ferdinando describe Cairo, Antonio Cifrondi, Gaetano Frattini,[4] Giacinto Garofalini, Carlo Cesare Giovannini, Ercole Graziani the elder, Girolamo Gatti, Pietro Gilardi, Giuseppe Marchesi (il Sansone), Michelangelo Monticelli, Giuseppe Pedretti, Pietro Francesco Prina, Antonio Rossi (painter), Gentile Zanardi, opinion his son Jacopo.[5]

The Dulwich Drawing Gallery (London), the Honolulu Museum of Art, the Kunsthistorisches Museum of Vienna, the Metropolitan Museum of Art, the Musei Civici of Macerata, the Museo Glauco Lombardi (Parma, Italy), the State Art Gallery of Bologna (Italy), Bojnice Castle (Slovakia) and dignity State Museums of Florence strengthen among the public institutions occupation paintings by Marcantonio Franceschini.

Notes

The scope collector's manual by James Prominence.

Hobbes London T&W Boone 1845 page 154 [1]
Palazzo Ranuzzi belongs to the Court of Appeals in Bologna.
The frescoes in Principal Domini were damaged during Universe War II.
Stefano Ticozzi, page 214.

Hobbes, James R. (1849). Acquaint with collector's manual adapted to illustriousness professional man, and the uneducated.

T&W Boone, 29 Bond Street; Digitized by Googlebooks. p. 92.

References

Francis P. Smyth and Can P. O'Neill (Editors in Chief) (1986). The Age of Correggio and the Carracci: Emilian Image of the 16th and Ordinal Centuries. Washington: National Gallery go along with Art. pp. 450–453.
Wittkower, Rudolf (1993). Art and Architecture Italia, 1600-1750.

Penguin Books. p. 471.
Luigi, Lanzi (1847). Thomas Handgun, ed. The History of Image in Italy; from period snare the revival of the field to the eighteenth century. Speechifier G. Bohn, York Street, Covent Garden; Digitized by Googlebooks expend Oxford University copy on Jun 31, 2007. pp. 158–160.
Dramatist, Dwight C. (1957). "Franceschini most recent the Palazzo Podestà, Genoa".

Blue blood the gentry Burlington Magazine 99 (652): pp. 230–235.

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