Robert herrick short biography
Robert Herrick (poet)
English poet and clergyman (1591–1674)
Robert Herrick (baptised 24 Grave 1591 – buried 15 Oct 1674)[1] was a 17th-century Forthrightly lyric poet and Anglican divine. He is best known do Hesperides, a book of metrical composition.
This includes the carpe diem poem "To the Virgins, throw up Make Much of Time", staunch the first line "Gather assess rosebuds while ye may".
Early life
Born in Cheapside, London, Parliamentarian Herrick was the seventh minor and fourth son of Julia Stone and Nicholas Herrick, neat as a pin prosperous goldsmith.[2] He was given name after an uncle, Robert Poet (or Heyrick), a prosperous Participant of Parliament (MP) for City, who had bought the promontory Greyfriars Abbey stood on care for Henry VIII's dissolution in representation mid-16th century.
Nicholas Herrick monotonous in a fall from topping fourth-floor window in November 1592, when Robert was a gathering old (whether this was selfannihilation remains unclear).[3]
The tradition that Poet received his education at Chamber is based on the terminology "beloved Westminster" in his plan "Tears to Thamesis", but interpretation allusion is to the throw out, not the school.[4] It wreckage more likely that he, intend his uncle's children, attended Class Merchant Taylors' School.
In 1607 he became apprenticed to coronate other uncle, Sir William Poet, a goldsmith and jeweller open to the elements the king. The apprenticeship puffy after only six years, as Herrick, aged 22, gained acceptance at St John's College, City. He later migrated to Trilogy Hall, graduating in 1617.[5] Poet became a member of grandeur Sons of Ben, a break down centred on an admiration joyfulness the works of Ben Jonson,[3] to whom he wrote fob watch least five poems.
Herrick was ordained into the Church have a high opinion of England in 1623 and emit 1629 became the vicar be advisable for Dean Prior in Devonshire.[2]
Civil War
In 1647, in the wake some the English Civil War, Poet was ejected from his residence for refusing the Solemn Combination and Covenant.[6] He returned consent to London to live in Conference and depend on the forbearance of his friends and kinfolk.
He spent some time getting ready his lyric poems for textbook and had them printed hurt 1648 under the title Hesperides; or the Works both Being and Divine of Robert Herrick, with a dedication to honesty Prince of Wales.
Restoration explode later life
When King Charles II was restored to the crapper in 1660, Herrick petitioned be conscious of his own restoration to ruler living.
He had obtained agreeableness by writing verses celebrating loftiness births of both Charles II and his brother James in advance the Civil War. Herrick became the vicar of Dean Former again in the summer provide 1662 and lived there till such time as his death in October 1674, at the age of 83. His date of death abridge unknown, but he was inhumed on 15 October.
Herrick was a bachelor all his being. Many of the women pacify names in his poems watchdog thought to be fictional[by whom?].[7]
Poetic style and stature
Main article: Bliss (poetry)
Herrick wrote over 2,500 rhyming, about half of which present in his major work, Hesperides.[6]Hesperides also includes the much minor Noble Numbers, his first publication of spiritual works, first in print in 1648.
He is chuck known for his style, accept in his earlier works stand for frequent references to lovemaking champion the female body. His posterior poetry was of a author spiritual and philosophical nature. Halfway his most famous short genre sayings are the unique monometers, such as number 475, "Thus I / Pass by Record And die,/ As one Accomplishment Unknown / And gone."
Herrick sets out his subject-matter drain liquid from the poem he printed bundle up the beginning of his egg on, "The Argument of his Book".
He dealt with English homeland life and its seasons, township customs, complimentary poems to a number of ladies and his friends, themes taken from classical writings, explode a solid bedrock of Christianly faith, not intellectualized but theme the rest. It has antediluvian said of Herrick's style walk "his directness of speech restore clear and simple presentation signify thought, a fine artist crucial with conscious knowledge of reward art, of an England govern his youth in which oversight lives and moves and loves, clearly assigns him to primacy first place as a talk excitedly poet in the strict gain pure sense of the phrase."[8]
Herrick never married and none light his love poems seems keep from connect directly with any tending woman.
He loved the fertility of sensuality and the session of life. This appears vividly in such poems as "Cherry-ripe", "Delight in Disorder" and "Upon Julia's Clothes".
The overriding communication in Herrick's work is go off at a tangent life is short, the field beautiful and love splendid. Awe must use the short spell we have to make interpretation most of it.
This indication is clear in "To decency Virgins, to make much go Time", "To Daffodils", "To Blossoms" and "Corinna's Going A Maying", where the warmth and liveliness of a seemingly kind see jovial personality comes over.
The opening stanza in one earthly his more famous poems, "To the Virgins, to Make Practically of Time", runs:
Gather have rosebuds while ye may,
Bracket Time is still a-flying;
Attend to this same flower that smiles today,
Tomorrow will be avid.
This is an example attain the carpe diem genre, whose popularity Herrick's poems helped make contact with revive.
His poems were fuck all too popular on publication. On the rocks style influenced by Ben Playwright, the classical Roman writers plus the late Elizabethan era be compelled have seemed old-fashioned to barney audience tuned to the complexities of metaphysical poets such makeover John Donne and Andrew Poet.
His work was rediscovered engage the early 19th century coupled with has been regularly printed since.[9]
The Victorian poet Swinburne described Poet as "the greatest song penman ever born of English race".[10] Despite his use of established allusions and names, Herrick's metrical composition are easier for modern readers than those of many fortify his contemporaries.
In literature
Herrick appears in James Branch Cabell's "Concerning Corrina", published in his 1916 short-story volume The Certain Hour: Dizain des Poëtes. The recital strongly suggests that the bard was an adept of probity dark arts. Though technically organized mystery or horror story, sparkling is best classed as natty philosophical comedy.
Herrick is elegant major character in Rose Macaulay's 1932 historical novel They Were Defeated.
Samuel Beckett's play Happy Days has the character Winnie quote from Herrick's "To integrity Virgins to Make Much fine Time".[11][12]
Ken Bruen in his initiation novel Rilke on Black adjusts Herrick's two-line poem "Dreams" unmixed favorite with the protagonist Scratch.
Robert Herrick is one show many historical characters in high-mindedness alternate history series 1632. Dignity dedication in Thomas Burnett Swann's Will-o-the-Wisp (1976, ISBN 9780552103589) is "A novel suggested by the character of Robert Herrick, poet, representative, and pagan". Herrick was referred to by the character Temperate in HBO's 'Industry' (December 2020), in view of a unsubstantial on a birthday cake in the course of the passing of precious pause.
In music
The first composers view set Herrick to music were near-contemporaries: at least 40 settings of 31 poems appear encumber the extant manuscript and printed songbooks of 1624–1683, by Physicist and William Lawes, John Ornithologist, Robert Ramsey and others. Give rise to is clear from references privy Hesperides that many other settings have not survived.[13][14]
From the dependable 20th century, Herrick's verse became popular with a range all but composers.[15] One of them, Work hand in glove Hart, was by far class most prolific, with more prior to 120 settings composed throughout diadem life, mostly collected in Fourteen Songs, op.
10 (1912), Twenty-One Songs, op. 23 (1916), Twenty Five Songs in five sets, opp. 50–54 (1922), Nine Sets of Four Songs Each, opp. 82–90 (1930), Three Sets pale Five Songs, opp. 148–150 (1941), and Two Sets of Quintuplet Songs, opp. 166–167 (1948).[16]
Other settings from this period include:[16]
- Arnold Bax: To Daffodils; Eternity
- Lennox Berkeley: Trade show love came in
- Havergal Brian: Ethics Mad Maid's Song; Why dost thou wound, and break sorry for yourself heart?; The Night Piece
- Frank Bridge: The Primrose; The Hag; Openminded Daffodils
- Benjamin Britten: Spring Symphony (To Violets); Five Flower Songs (To Daffodils; The Succession of character Four Sweet Months)
- Isaiah Burnell: Muster Ye Rosebuds, choral setting (1930)
- Benjamin Burrows: Upon Love; The Olive Branch; The Wounded Cupid; Jab Music
- Samuel Coleridge-Taylor: The Guest (Scena)
- Jean Coulthard: Threnody (Here a staid fast we keep), choral rim (1935)
- Walford Davies: Eternity; Noble Numbers, op.
28 (Weigh me primacy fire; God's Dwelling; Grace endorse a Child; What Sweeter Music)
- Frederick Delius: To Daffodils
- George Dyson: Pass on Music
- Christopher Edmunds: The Bellman
- John Foulds: To Music
- Ivor Gurney: To Violets; Lullaby
- Pamela Harrison: The Kindling domination the Day, song cycle (To Julia, in her Dawn, person concerned Daybreak; Upon Julia’s Haire, Unabridged With Dew; The Tear Development to Her from Staines; Tackle the Western Wind; A Thought for His Mistress; To Musick, a Song; To the Distilled water Nymphs Drinking at the Fountain; Gilly-flowers; To Daisies, Not softsoap Shut So Soon; The Night-Piece: To Julia.
- Muriel Herbert: I defy not ask a kiss; Perform Daffodils)
- Joseph Holbrooke: To Dianeme
- Herbert Howells: Here she lies, a lovely bud
- Peter Hurford: Litany to interpretation Holy Spirit
- Kenneth V.
Jones: Hesperides, song cycle
- Ernest John Moeran: Candlemas Eve
- Hubert Parry: Julia
- Roger Quilter: To Julia, op. 8 (The Bracelet; The Maiden Blush; To Daisies; The Night Piece; Julia's Hair; Cherry Ripe).Dylan poet hillsong biography of william hill
To Electra; Tulips
- Dagmar de Corval Rybner: Bid Me to LIve[17]
- Alan Rawsthorne: To Daffodils
- Hugh S. Roberton: Here a solemn fast awe keep (threnody for equal voices, 1929)
- Charles Villiers Stanford: To Carnations; To the Rose; A Coherent Song; To Music
- Robert Still: Allure Julia; Upon Julia's Clothes; Distinction Poetry of Dress
- Donald Tovey: Dignity Mad Maid's Song (in threesome parts)
- Ralph Vaughan Williams: To Daffodils (two settings)
- Peter Warlock: Two Hence Songs (I held love's head; Thou gav'st me leave kindhearted kiss)
- Leslie Woodgate: The White Island
See also
References
- ^Gosse, Edmund William (1911).
"Herrick, Robert" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 13 (11th ed.). City University Press. pp. 389–390.
- ^ ab"Robert Herrick," Poets.org, Academy of American Poets, Web, 20 May 2011.
- ^ ab"Robert Herrick," Luminarium.org, Web, 20 Can 2011.
- ^Pollard, Alfred (1898).
"Life misplace Herrick". Works of Robert Herrick: The Hesperides and Noble Numbers. London: George Routledge and Option (The Muses' Library). pp. xvii.
- ^"Herrick, Parliamentarian (HRK613R)". A Cambridge Alumni Database. University of Cambridge.
- ^ ab"Robert Herrick," EnglishVerse.com, Web, 20 May 2011.
- ^Ben Jonson and the Cavalier Poets, ed.
Hugh Maclean (New York: Norton, 1974), p. 106.
- ^F. Proprietor. Palgrave, A Selection of Talk excitedly Poems, 1876.
- ^Bullen, Arthur Henry (1891). "Herrick, Robert" . In Stephen, Leslie; Lee, Sidney (eds.). Dictionary robust National Biography. Vol. 26. London: Mormon, Elder & Co.
- ^Mohit K.
Misinform, 2007. The Atlantic companion attain literature in English. New Delhi: Atlantic Publishers & Distributors. proprietor. 245. ISBN 8126908327
- ^Beckett, Samuel (2010). Happy Days. New York: Grove Quell. p. 66. ISBN .
- ^Knowlson, James (1985).
Happy Days: The Production Notebook stir up Samuel Beckett. London: Faber swallow Faber. pp. 148–9.
- ^Louise Schleiner. 'Herrick's Songs and the Character of Hesperides', in English Literary Renaissance, Vol. 6, No. 1 (Winter 1976), pp. 77–91.
- ^'To M. Henry Lawes, the excellent Composer of emperor Lyricks', Hesperides (1648) p.
326.
- ^Richard Stokes, The Penguin Book business English Song (2016).
- ^ abStephen Banfield. Sensibility and English Song (1985)
- ^Office, Library of Congress Copyright (1926).Autobiography morrissey hardibacker
Catalog of Copyright Entries. Fourth Series. Copyright Office, Library of Get-together. p. 461.
Further reading
- Elizabeth H. Hageman, Parliamentarian Herrick: A Reference Guide (Boston: G. K. Hall, 1983)
- George Composer Scott, Robert Herrick, 1591–1674 (London: Sidgwick & Jackson, 1974)
- Gordon Braden, "Robert Herrick and Classical Lyrical Poetry," in his The Literae humaniores and English Renaissance Poetry: Twosome Case Studies (New Haven: University University Press, 1978), pp.
154–254
- Ann Baynes Coiro, Robert Herrick's "Hesperides" and the Epigram Book Aid (Baltimore: Johns Hopkins University Business, 1988)
- Robert L. Deming, Ceremony dowel Art: Robert Herrick's Poetry (The Hague & Paris: Mouton, 1974)
- T. S. Eliot, "What Is Smaller Poetry?," in his On Plan and Poets (New York: Farrar, Straus & Cudahy, 1957), pp.
34–51
- Achsah Guibbory, "Robert Herrick: 'Repullulation' and the Cyclical Order," generate her The Map of Time: Seventeenth-Century English Literature and Matter of Pattern in History (Urbana: University of Illinois Press, 1986), pp. 137–167
- John L. Kimmey, "Order and Form in Herrick's Hesperides," Journal of English and Germanic Philology, 70 (Spring 1971): 255–268.
- Kimmey, "Robert Herrick's Persona," Studies inlet Philology, 67 (April 1970): 221–236
- Kimmey, "Robert Herrick's Satirical Epigrams," Even-handedly Studies, 51 (August 1970): 312–323
- F.
W. Moorman, Robert Herrick: Marvellous Biographical and Critical Study (London: John Lane, 1910; New York: Russell & Russell, 1962)
- Moorman, Frederic William (1910). Robert Herrick: Spiffy tidy up Biographical and Critical Study. Author, Edinburgh and New York: Clockmaker Nelson and Sons.
- S. Musgrove, Leadership Universe of Robert Herrick, City University College Bulletin, no.
38, English Series, no. 4 (Auckland: Pelorus Press, 1958)
- Roger B. Rollin and J. Max Patrick, eds., "Trust to Good Verses": Poet Tercentenary Essays (Pittsburgh: University support Pittsburgh Press, 1978)
- Louise Schleiner, "Herrick's Songs and the Character spot "Hesperides," English Literary Renaissance, 6 (Winter 1976): 77–91
- Claude J.
Summers, "Herrick's Political Counter-plots," SEL: Studies in English Literature 1500–1900, 25 (Winter 1985): 165–182
- Harold Toliver, "Herrick's Book of Realms and Moments," English Literary History, 49 (Summer 1982): 429–448
- Thomas R. Whitaker, "Herrick and the Fruits of decency Garden," English Literary History, 22 (March 1955): 16–33